Accentus

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Vespro della Beata Vergine, SV 206: II. Dixit Dominus (Psalm 109)   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Verklarte Nacht in One Movement after Richard Dehmel, for String Sextet, Op. 4: Sehr ruhig   Arditti Quartet, Thomas Kakuska, Valentin Erben
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Till Eulenspiegels lustige Streiche, Tone Poem for Orchestra, Op. 28:   Alain Lombard, Orchestre National de Bordeaux-Aquitaine
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Theodora, HWV 68: With Darkness Deep as In My Woe (Aria)   Accademia Bizantina, Sandrine Piau, Stefano Montanari
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Theodora, HWV 68: To thee, Thou Glorious Son of Worth   Alan Curtis, Il Complesso Barocco, Karina Gauvin, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Symphony No. 6: II. Scherzo: Wuchtig   Bernard Haitink, Orchestre National De France
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Symphony No. 5: IV. Adagietto - arr. for Solists and Chorus: Gerard Pesson   Accentus, Helene Moulin, Jean-Francois Chiama, Jean-Francois Lombard
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from Anne Gastinel, Accentus - Melancolie (2014)
Symphony No. 5: IV. Adagietto (Arr. for Solists and Chorus by Gerard Pesson)   Accentus, Helene Moulin, Jean-Francois Chiama, Jean-Francois Lombard
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from Classical Melancholy (2017)
Symphony No. 5: IV. Adagietto   Bernard Haitink, Orchestre National De France
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quintet No. 2 in G Major, Op. 111: II. Adagio   Danish String Quartet, Serge Collot
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet, Op. 3: I. Langsam   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet No. 6 in B-Flat Major, Op. 18: IV. Adagio 'La Malinconia' - Allegretto quasi allegro   Quatuor Mosaïques
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from Anne Gastinel, Accentus - Melancolie (2014)
String Quartet No. 2 in F-Sharp Minor, Op. 10: III. Litanei: Langsam   Arditti Quartet, Dawn Upshaw
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
String Quartet in D Major: I. Allegro molto   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Stabat Mater, RV 621: I. Largo   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, P. 77: I. Stabat Mater dolorosa. Grave (Duet)   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Sara Mingardo
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Stabat Mater, Op. 58: VII. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: VI. Alto Solo   Accentus, Brigitte Engerer, Laurence Equilbey, Renata Pokupic
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: V. Duo   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: IV. Basso Solo e Coro   Accentus, Brigitte Engerer, Laurence Equilbey, Markus Butter
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: III. Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: II. Quartetto   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
Stabat Mater, Op. 58: I. Quartetto e Coro   Accentus, Alexandra Coku, Brigitte Engerer, Laurence Equilbey
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from Accentus, Laurence Equilbey - Dvorak: Stabat Mater (Original Version for Soloists, Choir & Piano) (2016)
SOUPIR (CLYTUS GOTTWALD) (MAURICE RAVEL)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
Sonata in F Major for Cello and Piano, Op. 6: II. Andante ma non troppo   Anne Gastinel, Pierre-Laurent Aimard
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Sonata in A Major for Violin and Piano, Op. 47: IV. Allegretto poco mosso   Annick Nicolas, Boris Petrov
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Saint Francois d'Assise, CG. 34: La mort   Accentus, Laurence Equilbey, Orchestre de chambre de Paris, Stanislas De Barbeyrac
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Rosen aus dem Suden, Waltz Op. 388 - arr. for Little Orchestra: A. Schoenberg   Arditti Quartet, Hakon Austbo, Louise Bessette
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Rinaldo, HWV 7, Act II, Scene 4: Aria 'Lascia ch'io pianga' (Almirena)   Capriccio Stravagante, Maria Bayo, Skip Sempe
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from Anne Gastinel, Accentus - Melancolie (2014)
Requiem, Op. 48: VII. In Paradisum   Laurence Equilbey, Maitrise De Paris, Orchestre National De France
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem in D Minor, K. 626: III. Lacrimosa (Sequenz)   Ensemble Accentus, Insula Orchestra, Laurence Equilbey
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Requiem in D Minor for Soloists, Choir and Orchestra, K. 626: No. 6, Lacrimosa   Chorus Musicus Koln, Christoph Spering, Das Neue Orchester
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from Anne Gastinel, Accentus - Melancolie (2014)
Relache: No. 1, Ouverture (Mouvement de Marche) - No. 2, Projection (Un peu moins vite) - Rideau (Plus lent) - No. 3, Entree de la Femme (Tres lent)   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Rapsodie espagnole, M. 54: No. 1, Prelude a la nuit (Tres modere) - Malaguena (Assez vif)   Ernest Bour, Southwest German Radio Symphony Orchestra
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Pulcinella: Overture (Allegro moderato)   The Bournemouth Sinfonietta, Thomas Sanderling
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Preludes for Piano - Livre I: No. 8, La fille aux cheveux de lin (Tres calme et doucement expressif)   NoëL Lee
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Preludes for Piano - Livre I: No. 6, Des pas sur la neige (Lent)   NoëL Lee
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from Anne Gastinel, Accentus - Melancolie (2014)
Polifemo, Act III, Scene 5: Aria 'Alto giove' (Aci)   Christophe Rousset, Derek Lee Ragin, Ewa Mallas-Godlewska, Les Talens Lyriques
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from Anne Gastinel, Accentus - Melancolie (2014)
Piano Concerto No. 21 in C Major, K. 467: II. Andante   Fazil Say, Howard Griffiths, Zuricher KammerOrchester
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from Anne Gastinel, Accentus - Melancolie (2014)
Pelleas et Melisandre, Act III, Scene 1: extrait   Anne Sofie Von Otter, Bernard Haitink, Laurent Naouri, Orchestre National De France
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Parade: Petite fille americaine - Rag-Time du paquebot   Jerome Kaltenbach, Orchestre Symphonique Et Lyrique De Nancy
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Ode for Saint Cecilia's Day, HWV 76: V. The Trumpet's Loud Clangour (Aria and Chorus)   Choeur des Musiciens du Louvre Grenoble, Les Musiciens Du Louvre, Grenoble, Marc Minkowski, Neil Baker
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Noches en los jardines de Espana, for Piano and Orchestra, G. 49: II. Danza lejana   Edmon Colomer, Joven Orquesta Nacional De Espana, Rafael Orozco
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Nisi Dominus, RV 608: IV. Cum dederit   Ensemble Matheus, Jean-Christophe Spinosi, Philippe Jaroussky
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Nisi Dominus in G Minor, RV 608: No. 4, Aria for Alto, Strings and Continuo 'Cum dederit' - Andante   Concerto Italiano, Rinaldo Alessandrini, Sara Mingardo
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from Anne Gastinel, Accentus - Melancolie (2014)
Messe in B Minor, BWV 232: No. 26, Agnus Dei   Les Musiciens Du Louvre, Marc Minkowski, Nathalie Stutzmann
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Matthauspassion, Arie, BWV 244: No. 7, Erbarme dich (Arr. by Felix Mendelssohn in 1841)   Alison Browner, Chorus Musicus, Christoph Spering, Das Neue Orchester
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Matthaus-Passion, BWV 244, Part II: Aria for Alto, Solo Violin, Strings and Continuo 'Erbarme dich mein Gott'   Angela Kazimiercszuk, Christoph Spering, Das Neue Orchester
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from Anne Gastinel, Accentus - Melancolie (2014)
Magnificat: I. Magnificat anima mea Dominum   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait)   Concerto Italiano, Rinaldo Alessandrini
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from Anne Gastinel, Accentus - Melancolie (2014)
LULAJZE, JEZUNIU - LARGO, SONATE OPUS58 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
Lieder eines fahrenden Gesellen: No. 4, Die zwei blauen Augen - arr. for Little Orchestra: A. Schoenberg   Hakon Austbo, Jean-Luc Chaignaud, Louise Bessette, Marc Marder
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Les Valseuses - from music for the film of Bertrand Blier   Jean-Efflam Bavouzet, Laurent Korcia
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from Anne Gastinel, Accentus - Melancolie (2014)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 7: 'Vater, In Deine Hande Empfehle Ich Meinen Geist': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 7: 'Vater, In Deine Hande Empfehle Ich Meinen Geist': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 6: 'Es Ist Vollbracht': II. Lento   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 6: 'Es Ist Vollbracht': I. Lento   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 5: 'Jesus Rufet: Ach Mich Durststet!': Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 4: 'Mein Gott, Mein Gott, Warum Hast Du Mich verlassen?': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 4: 'Mein Gott, Mein Gott, Warum Hast Du Mich verlassen?': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Siehe deine Mutter': II. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Seihe deine Mutter': I. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Wirst Du Bei mir im Paradise sein': I. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Virst Du Bei mir im Paradiese sein': II. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Maestoso Ed Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Largo e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Il Terremoto (Das Erdbeden): 'Er ist nicht mehr': Presto e con tutta la forza   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey
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from Haydn: Les Sept Dernieres Paroles Du Christ (2016)
Les Angelus, on a Text by Gregoire Le Roy -arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
LES ANGELUS (CLYTUS GOTTWALD) (CLAUDE DEBUSSY)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
Legende Sainte Cecile, S. 5   Accentus, Karine Deshayes, Laurence Equilbey, Orchestre de chambre de Paris
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from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018)
Le Sacre du printemps, Pt. II: No. 6, Danse sacrale (Allegro moderato)   Alain Lombard, Orchestre National De Bordeaux Aquitaine
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Lauda Jerusalem, RV 609   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Roberta Invernizzi
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Langsamer Satz, for String Quartet   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
LACRIMOSA - ETUDE OPUS10, NO.6 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
La Melancolia, operatorio for Soloists, Chorus, Brass, Orchestra and Band: No. 2, Il quarto loco - excerpt   Cecile Eloir, David Robertson, Martyn Hill, Nan Christie
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from Anne Gastinel, Accentus - Melancolie (2014)
La lugubre gondola - 3rd version for Cello and Piano, S. 134   Anne Gastinel, Pierre-Laurent Aimard
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from Anne Gastinel, Accentus - Melancolie (2014)
La Gaite parisienne, ballet for Orchestra: No. 1, Ouverture - from 'La Vie parisienne'   Manuel Rosenthal, Orchestre Philharmonique De Monte Carlo
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
L'invitation au voyage, for Voice and Piano, on a Poem by Charles Baudelaire:   Bernard Kruysen, NoëL Lee
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
L' histoire du soldat, concert suite for 7 instruments in 7 parts: No. 1, Marche du soldat   Carole Bouquet, Daniel Breszynski, Marc Bauer, Pascal Moragues
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
L'enfant et les sortileges: No. 13, Scene 'Deux robinets coulent dans un reservoir' (L'Arithmetique, Chorus)   Alain Lombard, Leonard Pezzino, Martine Mahe, Orchestre National De Bordeaux Aquitaine
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Kreisleriana or 8 Fantasies for Piano, Op. 16: No. 1, ausserst bewegt   Laurent Cabasso
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from Anne Gastinel, Accentus - Melancolie (2014)
King Arthur, Z. 628, Act III, Scene 2: Aria 'What power art thou' (Cold Genius)   English Baroque Soloists, John Eliot Gardiner, Stephen Varcoe
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from Anne Gastinel, Accentus - Melancolie (2014)
KEIN DEUTSCHER HIMMEL - ADAGIETTO, SYMPHONIE (GERARD PESSON) (GUSTAV MAHLER)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
Kaiserwalzer, Op. 437 - arr. for Flute, Clarinet, Piano and String Quartet: A. Schoenberg   Arditti Quartet, Michel Beroff, Michel Moragues, Pascal Moragues
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Jeux d'eau, for Piano   Huseyin Sermet
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
Introduction and Allegro, for Harp, Flute, Clarinet and String Quartet: No. 1, Introduction (Tres lent) - No. 2, Allegro   Dominique Desjardins, Isabelle Moretti, Michel Moragues, Parisii Quartet
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from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016)
In furore iustissimae irae, RV 626: I. Allegro   Accademia Bizantina, Ottavio Dantone, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
IMMORTAL BACH - KOMM, SUSSER TOD BWV478 (KNUT NYSTEDT/ ACCENTUS) (JOHANN SEBASTIAN BACH)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
ICH BIN DER WELT ABHANDEN GEKOMMEN (CLYTUS GOTTWALD) (GUSTAV MAHLER)   Accentus
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from Accentus - Transcriptions/ Laurence Equilbey (2004)
Iberia, Book 1: No. 1, Evocacion in A-Flat Minor/Major   Rafael Orozco
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Great Mass in C Minor, K. 427: Et incarnatus est (Credo)   Accentus, Emmanuel Krivine, La Chambre Philharmonique, Sandrine Piau
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Goyescas, H. 65, Tableau III, Scene 8: Aria 'La maja y el ruisenor' (Rosario)   Antonio Ros Marba, Maria Bayo, Orquesta Sinfónica de Madrid
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from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016)
Gloria, RV 589: II. Et in Terra pax hominibus. Andante   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Gloria, RV 589: I. Gloria in excelsis Deo. Allegro   Concerto Italiano, Rinaldo Alessandrini
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from Accentus, Orchestre National De France - Sacred Voices (2017)
Flow My Tears - ayre   Ensemble Orlando Gibbons, Gerard Lesne
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from Anne Gastinel, Accentus - Melancolie (2014)
Five Movements for String Quartet, Op. 5: No. 5, In zarter Bewegung   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 4, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)
Five Movements for String Quartet, Op. 5: No. 3, Sehr bewegt   Accentus, Arditti Quartet, Bernard Haitink
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from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016)

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