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SONGS default | abc | date_new | date_old 2 Pieces from Kuolema, incidental music, Op. 44: No. 2, Valse triste - for orchestra   Jorma Panula, Turku Philharmonic Orchestra - from Anne Gastinel, Accentus - Melancolie (2014) 24 Preludes for Piano, Op. 28: No. 4, Largo in E Minor   Grigory Sokolov - from Anne Gastinel, Accentus - Melancolie (2014) 3 Intermezzi for Piano, Op. 117: No. 1, Andante moderato in E-Flat Major   Andrea Bonatta - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 5 Gesange for Voice and Piano: 5 Gesange for Voice and Piano: No. 4, Sie sind so schon, die milden, sonnenreichen   Amaury Du Closel, Anna Holroyd, Camerata de Versailles - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 5 Gesange for Voice and Piano: No. 3, Die Dunkelheit sinkt schwer wie Blei   Amaury Du Closel, Anna Holroyd, Camerata de Versailles - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 5 Lieder for Alto Voice and Orchestra on Poems by Friedrich Ruckert: No. 4, Ich bin der Welt abhanden gekommen - arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 6 Klavierstucke for Piano, Op. 118: No. 3, Ballade: Allegro energico in G Minor   Andrea Bonatta - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 6 Romances, Op. 16: No. 1, Berceuse 'Kolybel'naja pesnja' (Moderato lugubre)   Evgeny Talisman, Lina Mkrtchyan - from Anne Gastinel, Accentus - Melancolie (2014) 7 Chansons, for Chorus a cappella, FP. 081: No. 5, Belle et ressemblante   Accentus, Laurence Equilbey - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) 9 Short Pieces: No. 5, 3 Variations on a Thema by Schumann in G Minor for String Quartet   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) 9 Short Pieces: No. 7, Theme and 5 Variations in E Major for Violon and Piano   Irvine Arditti, Stefan Litwin - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Adagio for Strings, Op. 11 (Agnus Dei, Choral Version in B-Flat Minor)   Accentus, Laurence Equilbey - from Classical Melancholy (2017) Adagio for Strings, Op. 11 (Arr. as Agnus Dei by Laurence Equilbey)   Accentus, Laurence Equilbey - from Classical Melancholy (2017) Adagio for Strings, Op. 11 `Agnus Dei` (Arr. for Choir)   Accentus, Laurence Equilbey - from Relaxing christmas (2017) Adagio, Op. 11 'Agnus Dei'   Accentus, Laurence Equilbey - from Accentus, Orchestre National De France - Sacred Voices (2017) AGNUS DEI - ADAGIO OPUS11 (SAMUEL BARBER) (SAMUEL BARBER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Agnus Dei - choral version in B-Flat Minor of Adagio for String Orchestra   Accentus, Laurence Equilbey - from Anne Gastinel, Accentus - Melancolie (2014) Albada, Interludi i Dansa, for Orchestra: No. 2, Interludi (Interlude)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Albada, Interludi i Dansa, for Orchestra: No. 3, Dansa (Danse)   Orquesta Sinfonica De Tenerife, Victor Pablo Perez - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) All-Night Vigil, Op. 37: VI. Ave Maria   Accentus, Eric Ericson, Laurence Equilbey - from Accentus, Orchestre National De France - Sacred Voices (2017) Also sprach Zarathustra, Tone Poem for Orchestra, Op. 30: No. 1, Introduction   Alain Lombard, Orchestre National de Bordeaux-Aquitaine - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Atlantida, scenic cantata (unfinished, completed by E. Halffter), G. 102, Act I: No. 5, Chorus 'Hymn to Barcelona'   Coral Universitat de les Illes Balears, Coro Polifonico Universitario de la Laguna, Edmon Colomer, Joven Orquesta Nacional De Espana 외 - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) AUF EIN ALTES BILD (CLYTUS GOTTWALD) (HUGO WOLF)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Ave maria a 4 voci   Concerto Italiano, Rinaldo Alessandrini - from Accentus, Orchestre National De France - Sacred Voices (2017) Ave verum corpus, K. 618   Accentus, Laurence Equilbey, Orchestre National De France - from Accentus, Orchestre National De France - Sacred Voices (2017) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVc. Presto-Recitativo 'O Freunde, Nicht Diese Tone!' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4c악장)   Accentus, Ekaterina Gubanova, Florian Boesch, Siobhan Stagg 외 - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVd. Allegro Assai Vivace. Alla Marcia 'Froh, Wie Seine Sonnen Fliegen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4d악장)   Accentus, The Chamber Orchestra Of Europe, Werner Gura, Yannick Nezet-Seguin - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVe. Andante Maestoso 'Seid Umschlungen, Millionen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4e악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVf. Allegro Energico E Sempre Ben Marcato 'Freude, Schoner Gotterfunken' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4f악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVg. Allegro Ma Non Tanto 'Freude, Tochter Aus Elysium' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4g악장)   Accentus, Ekaterina Gubanova, Florian Boesch, Siobhan Stagg 외 - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Beethoven : Symphony No.9 In D Minor Op.125 'Choral' - IVh. Poco Allegro–Prestissimo 'Seid Umschlungen, Millionen' (베토벤 : 교향곡 9번 라단조 작품번호 125 '합창' - 4h악장)   Accentus, The Chamber Orchestra Of Europe, Yannick Nezet-Seguin - from Yannick Nezet-Seguin, The Chamber Orchestra Of Europe - Beethoven : The Symphonies (2022) Canco i Dansa No. 6 in E-Flat Minor for Piano (Cantabile espressivo - Ritmado)   Rafael Orozco - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Cantique de Jean Racine, Op. 11   Accentus, Laurence Equilbey, Orchestre National De France - from Accentus, Orchestre National De France - Sacred Voices (2017) Carmen, Act II, Scene 1: Chanson 'Les tringles des sistres tintaient' (Carmen, Frasquita, Mercedes)   Alain Lombard, Beatrice Uria Monzon, Martine Olmeda, Maryse Castets 외 - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Christus Op. 97, MWV A26: Ihr Tochter Zions   Accentus, Ensemble Orchestral De Paris, Laurence Equilbey - from Accentus, Orchestre National De France - Sacred Voices (2017) Clair de lune, for Voice and Piano, on a Poem by Paul Verlaine, Op. 46 No 2   Bernard Kruysen, NoëL Lee - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Cello: III. Vivace flessibile - Scherzando   Edmon Colomer, Jaime Martin, Joan Enric Lluna, Jorge Pozas 외 - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Concerto for Violin and Orchestra: II. Second movement   Adela Anthony, Takuo Yuasa, Ulster Orchestra - from Anne Gastinel, Accentus - Melancolie (2014) Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile   Edmon Colomer, Isabelle Moretti, Real Orquesta Sinfonica De Sevilla - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Credo, RV 592: III. Crucifixus   Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky - from Accentus, Orchestre National De France - Sacred Voices (2017) DAS VERLASSENE MAGDLEIN (CLYTUS GOTTWALD) (HUGO WOLF)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) DIE NACHTIGALL (CLYTUS GOTTWALD) (ALBAN BERG)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Die Zauberflote, K. 620, Act II, Scene 18: No. 17, Aria 'Ach, ich fuhls, es ist verschwunden' (Pamina)   Freiburger Barockorchester, Sandrine Piau - from Anne Gastinel, Accentus - Melancolie (2014) Don Juan ou le Festin de Pierre, ballet after Moliere, Wq. 52: No. 31, Danza degli spettri a delle furie - Allegro non troppo   Giovanni Antonini, Il Giardino Armonico - from Anne Gastinel, Accentus - Melancolie (2014) Ein deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Accentus, Orchestre National De France - Sacred Voices (2017) Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey 외 - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey 외 - from Brahms: Un requiem allemand, Op. 45 (2016) Ein deutsches Requiem, Op. 45: VII. Selig sind die Toten, die in dem Herren sterben (Arr. for choir and piano)   Accentus, Boris Berezovsky, Brigitte Engerer, Laurence Equilbey - from Brahms: Un requiem allemand, Op. 45 (2016) Eine florentinische Tragodie, Opera in One Act after Oscar Wilde, Op. 16: Overture   Armin Jordan, Orchestre Philharmonique de Radio France - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) El Sombrero de tres picos, Suite for Orchestra No. 2: Dance of the Miller's Wife 'Fandango'   Edmon Colomer, Joven Orquesta Nacional De Espana - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Elegie in C Minor for Cello and Orchestra, Op. 24   Anne Gastinel, Emmanuel Krivine, Orchestre National De Lyon - from Anne Gastinel, Accentus - Melancolie (2014) Espana, Rhapsody for Orchestra   Herve Niquet, Orchestre Philharmonique De Monte-Carlo - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Estampes, L. 100: No. 2, Soiree dans Grenade (Mouvement de Habanera)   NoëL Lee - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Fantasy in A Major for Violin and Harp, Op. 124: Poco allegretto - Allegro   Gérard Poulet, Isabelle Moretti - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Five Movements for String Quartet, Op. 5: No. 1, Heftig bewegt   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 2, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 3, Sehr bewegt   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 4, Sehr langsam   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Five Movements for String Quartet, Op. 5: No. 5, In zarter Bewegung   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Flow My Tears - ayre   Ensemble Orlando Gibbons, Gerard Lesne - from Anne Gastinel, Accentus - Melancolie (2014) Gloria, RV 589: I. Gloria in excelsis Deo. Allegro   Concerto Italiano, Rinaldo Alessandrini - from Accentus, Orchestre National De France - Sacred Voices (2017) Gloria, RV 589: II. Et in Terra pax hominibus. Andante   Concerto Italiano, Rinaldo Alessandrini - from Accentus, Orchestre National De France - Sacred Voices (2017) Goyescas, H. 65, Tableau III, Scene 8: Aria 'La maja y el ruisenor' (Rosario)   Antonio Ros Marba, Maria Bayo, Orquesta Sinfónica de Madrid - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Great Mass in C Minor, K. 427: Et incarnatus est (Credo)   Accentus, Emmanuel Krivine, La Chambre Philharmonique, Sandrine Piau - from Accentus, Orchestre National De France - Sacred Voices (2017) Iberia, Book 1: No. 1, Evocacion in A-Flat Minor/Major   Rafael Orozco - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) ICH BIN DER WELT ABHANDEN GEKOMMEN (CLYTUS GOTTWALD) (GUSTAV MAHLER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) IMMORTAL BACH - KOMM, SUSSER TOD BWV478 (KNUT NYSTEDT/ ACCENTUS) (JOHANN SEBASTIAN BACH)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) In furore iustissimae irae, RV 626: I. Allegro   Accademia Bizantina, Ottavio Dantone, Sandrine Piau - from Accentus, Orchestre National De France - Sacred Voices (2017) Introduction and Allegro, for Harp, Flute, Clarinet and String Quartet: No. 1, Introduction (Tres lent) - No. 2, Allegro   Dominique Desjardins, Isabelle Moretti, Michel Moragues, Parisii Quartet 외 - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Jeux d'eau, for Piano   Huseyin Sermet - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Kaiserwalzer, Op. 437 - arr. for Flute, Clarinet, Piano and String Quartet: A. Schoenberg   Arditti Quartet, Michel Beroff, Michel Moragues, Pascal Moragues - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) KEIN DEUTSCHER HIMMEL - ADAGIETTO, SYMPHONIE (GERARD PESSON) (GUSTAV MAHLER)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) King Arthur, Z. 628, Act III, Scene 2: Aria 'What power art thou' (Cold Genius)   English Baroque Soloists, John Eliot Gardiner, Stephen Varcoe - from Anne Gastinel, Accentus - Melancolie (2014) Kreisleriana or 8 Fantasies for Piano, Op. 16: No. 1, ausserst bewegt   Laurent Cabasso - from Anne Gastinel, Accentus - Melancolie (2014) L'enfant et les sortileges: No. 13, Scene 'Deux robinets coulent dans un reservoir' (L'Arithmetique, Chorus)   Alain Lombard, Leonard Pezzino, Martine Mahe, Orchestre National De Bordeaux Aquitaine - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) L' histoire du soldat, concert suite for 7 instruments in 7 parts: No. 1, Marche du soldat   Carole Bouquet, Daniel Breszynski, Marc Bauer, Pascal Moragues 외 - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) L'invitation au voyage, for Voice and Piano, on a Poem by Charles Baudelaire:   Bernard Kruysen, NoëL Lee - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) La Gaite parisienne, ballet for Orchestra: No. 1, Ouverture - from 'La Vie parisienne'   Manuel Rosenthal, Orchestre Philharmonique De Monte Carlo - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) La lugubre gondola - 3rd version for Cello and Piano, S. 134   Anne Gastinel, Pierre-Laurent Aimard - from Anne Gastinel, Accentus - Melancolie (2014) La Melancolia, operatorio for Soloists, Chorus, Brass, Orchestra and Band: No. 2, Il quarto loco - excerpt   Cecile Eloir, David Robertson, Martyn Hill, Nan Christie 외 - from Anne Gastinel, Accentus - Melancolie (2014) LACRIMOSA - ETUDE OPUS10, NO.6 (FRANCK KRAWCZYK) (FREDERIC CHOPIN)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Langsamer Satz, for String Quartet   Accentus, Arditti Quartet, Bernard Haitink - from Bernard Haitink, Arditti Quartet - Vienne 1900 (2016) Lauda Jerusalem, RV 609   Concerto Italiano, Gemma Bertagnolli, Rinaldo Alessandrini, Roberta Invernizzi - from Accentus, Orchestre National De France - Sacred Voices (2017) Le Sacre du printemps, Pt. II: No. 6, Danse sacrale (Allegro moderato)   Alain Lombard, Orchestre National De Bordeaux Aquitaine - from Isabelle Moretti, Accentus - Albeniz, Falla, Poulenc, Ravel, Rodrigo & Satie: Paris Barcelone - From Gaudi to Miro (2016) Legende Sainte Cecile, S. 5   Accentus, Karine Deshayes, Laurence Equilbey, Orchestre de chambre de Paris - from Gounod: Saint Francois d'Assise - Liszt: Legende de Sainte Cecile (2018) LES ANGELUS (CLYTUS GOTTWALD) (CLAUDE DEBUSSY)   Accentus - from Accentus - Transcriptions/ Laurence Equilbey (2004) Les Angelus, on a Text by Gregoire Le Roy -arr. for Choir: Clytus Gottwald   Accentus, Laurence Equilbey - from Bernard Kruysen, Isabelle Moretti - Musiques a Orsay (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Il Terremoto (Das Erdbeden): 'Er ist nicht mehr': Presto e con tutta la forza   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Largo e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, Introduzione: Maestoso Ed Adagio   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 1: 'Vater, Vergib Ihnen, Denn Sie Wissen Nicht, was sie tun': II. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Virst Du Bei mir im Paradiese sein': II. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 2: 'Furwahr, Ich Sag'es Dir: Heute Wirst Du Bei mir im Paradise sein': I. Grave e Cantabile   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Seihe deine Mutter': I. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 3: 'Frau, Hier Siehe Deinen Sohn, Und Du Siehe deine Mutter': II. Grave   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) Les Sept Dernieres Paroles du Christ en Croix, Hob. XX/2, No. 4: 'Mein Gott, Mein Gott, Warum Hast Du Mich verlassen?': I. Largo   Accentus, Akademie Fur Alte Musik Berlin, Harry Van Der Kamp, Laurence Equilbey 외 - from Haydn: Les Sept Dernieres Paroles Du Christ (2016) REVIEW Trackback :: http://d2.maniadb.com/trackback/P168778 TALK

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